The High School
Musical franchise is the most-watched sugarcoated lie on
basic cable—you'll still love it.
Elementary
school–aged children love High School
Musical because they live in a world where, one day,
when they're all grown up like the big kids, high
school is going to be amazing: one
dancing-on-the-cafeteria-tables production number after
another. No swirlies. No beatings. Only complete
acceptance of everyone’s unique selves and
special talents, whether those skills be baking, singing,
chemistry, cello, or propensity for wearing very gay hats.
If things go wrong, they'll be righted by a musical
number, hopefully one where the chorus goes,
“We’re all in this together…something
something…we're all stars, etc. Hey!”
There, I just recapped the first movie for you in case
you missed it. It’s a world where a movie like
Heathers simply has no reason to exist.
Adult gays love
High School Musical because they live in a
world where, one day, when they invent a time machine,
they will have the secondary-education experience they
deserved to have, full of music so facile and dorky
that it makes ordinary bubblegum pop sound like black
metal, set in an environment so clean and sparkling and
blazingly color-saturated it could cause cancer of the eyes.
When people talk
about HSM, they talk about children—and
sometimes the humming-along parents held hostage by those
children. They don't talk about adults longing for something
that never was. But that’s the secret weapon of
this maddeningly addictive one-two punch of gleefully
uncool TV movies: They know what you always wanted and
never got, especially if you were a show
tunes–starved homosexual.
I watched the
first movie as homework. I wanted to know what this thing
was that had turned my 10-year-old niece into a drooling
karaoke-loving zombie. So one Saturday night, my
partner and I sat down with dinner and TiVo and became
unwitting victims. Somewhere around the part where the
entire lunchroom exploded into a hundred teenagers spinning
round tables and doing backflips while holding trays
of food, I thought, This ain't so bad, really. And
during the final number, where all wrongs were
righted, all relationships healed, and all the cutest
cast members paired up with members of the opposite sex
(even that blond guy, who was the most gay-acting of
all of them, especially since the official word
is that all male cast members are 1000% heterosexual
and possibly even—OMG!—dating female cast
members), my partner said, “You know, I kind of
love this.”
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Dave White is the author of Exile in Guyville.
Find him at www.imdavewhite.com.