Entertainment News
2006-06-30
Shortbus among films headed to Toronto fest
The Toronto
International Film Festival unveiled 25 North American
premieres Tuesday, nearly all of which premiered at the
The Toronto
International Film Festival unveiled 25 North American
premieres Tuesday, nearly all of which premiered at the
Cannes Festival, among them Alejandro Gonzalez
Iñarritu's Babel. Toronto programmers said
they booked the Cate Blanchett and Brad Pitt starrer
Babel for a special presentation after the
Paramount Pictures title earned Iñarritu (21
Grams) a best director award at the Cannes Festival. The
31st Toronto festival runs September 7–16.
The festival's
Masters sidebar—which features work by established
directors—will screen Ken Loach's Palme d'Or winner,
The Wind That Shakes the Barley, a drama about
Ireland's fight for independence in the 1920s, along with
Italian director Nanni Moretti's Cannes Festival
Competition entry The Caiman, a biting portrait of Silvio Berlusconi's
Italy. Another Cannes Festival Competition entrant coming to
Toronto is Finnish director Aki Kaurismaki's Lights in
the Dusk, the finale in a trilogy that portrays a
lonely night watchman facing dire consequences after
witnessing a robbery.
Toronto
codirector Noah Cowan said that these and other films
announced Tuesday will get a "second unveiling" in
Toronto, while he and his team of programmers prepare
to announce their own slate of world premieres in the
coming weeks. Toronto also booked a documentary from
Cannes for its Real to Reel section, Egyptian filmmaker
Tahani Rached's These Girls, a film about young girls defying social mores
in Cairo.
The Discovery
sidebar, featuring films by new and emerging filmmakers,
will feature Chinese director Sheng Zhimin's Bliss, after its premiere at the Locarno,
Switzerland, festival, as well as Norwegian filmmaker
Joachim Trier's debut feature, Reprise, a comedy about two young aspiring male
writers that premiered at the Karlovy Vary festival in
the Czech Republic. The first bookings for the Visions
section, a showcase for innovative filmmaking, include
French director Bruno Dumont's Cannes Festival Grand
Prix winner, Flandres; Japanese filmmaker Takashi
Miike's Big Bang Love: Juvenile A, which premiered in
Helsinki; and Rolf de Heer's Ten Canoes, an Australian film, based on Aboriginal myths, that
premiered at Cannes. Also in the Discovery program is
Taxidermia, the sophomore feature from Hungarian
director Gyorgy Palfi; Abderrahmane Sissako's Bamako, a French-Malian-American coproduction that
unspooled in Cannes; and Korean director Kim Ki-duk's Time, a study of cosmetic surgery from the
perspective of a young woman ready to go under the knife for
the man she loves.
In the
Contemporary World Cinema sidebar, Toronto programmers
booked 11 North American premieres, including Cannes
Festival Jury Prize winner Red Road, Briton Andrea Arnold's debut feature about a
woman who stalks the man who destroyed her family. Also
unspooling in the CWC section is Romanian filmmaker Corneliu
Porumboiu's Camera d'Or–winning 12:08 East
of Bucharest, Australian director Ray Lawrence's Jindabyne, Thai helmer Pen-ek Ratanaruang's noir
thriller Invisible Waves, Russian director Djamshed Usmonov's To Get to
Heaven First You Have to Die, and Hungarian director Szabolcs Hajdu's
White Palms. CWC programmers also booked
the Chinese-French coproduction Summer Palace, from
Chinese director Lou Ye; Summer '04, from German helmer Stefan Krohmer; and
Norwegian filmmaker Jens Lien's The Bothersome Man, which unspooled previously at Cannes and
Karlovy Vary.
Other Cannes
films booked for Toronto include Polish director Slawomir
Fabicki's first feature, Retrieval; Argentine
director Israel Adrian Caetano's Cronica De Una
Fuga; and U.S. director John Cameron Mitchell's sexually
explicit Shortbus, a drama starring Justin Bond, Lindsay
Beamish, Paul Dawson, and PJ Deboy. Toronto also booked a
Canadian premiere for Slumming, Austrian director Michael Glawogger's drama
about a wealthy slacker and the characters he meets
while pulling pranks and manipulating women.
Programmers of the festival will make additional film
announcements in the coming months. (Etan Vlessing,
Reuters)
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