Oldies But Goodies

BY Trudy Ring

April 26 2011 6:20 PM ET

Whether you like a Gershwin tune, want to fasten your seat belt for a bumpy night, or are content to have the stars without asking for the moon, there’s something for all LGBT movie buffs at this year’s TCM Film Festival.

The second such festival offered by the cable channel, it will be held April 28 through May 1 in Los Angeles. Films will screen at Grauman’s Chinese Theatre, its adjacent multiplex, and the Egyptian Theatre. There will also be panel discussions and other events at the Hollywood Roosevelt Hotel and the Music Box Theater. Numerous stars and directors are scheduled to appear, such as Kirk Douglas, Peter O’Toole, Leslie Caron, Mickey Rooney, Debbie Reynolds, Jane Powell, Warren Beatty, Alec Baldwin, Angela Lansbury, Hayley Mills, Richard Roundtree, and Roger Corman. TCM’s Robert Osborne is the festival’s host.

The festival’s overall theme this year is “Music and the Movies.” Its various incarnations will include salutes to the work of George and Ira Gershwin, the nonmusical films scored by Bernard Herrmann, Disney musicals, and singing cowboy Roy Rogers. Plus there will be plenty of other treats, including such gay faves as All About Eve, A Place in the Sun, Breakfast at Tiffany’s, A Streetcar Named Desire, and Now, Voyager, in high-quality prints, many of them newly or recently restored.

“I know we have a very big gay audience at TCM in general, and I know musicals are a part of that, but I think there’s a lot of appeal to the gay audience also with films like Now, Voyager, for example, with Bette Davis,” says Charlie Tabesh, the cable channel’s senior vice president of programming as well as programmer for the festival. Besides the obviously gay-beloved classics, another film Tabesh thinks will resonate with gay viewers is The Constant Nymph, a 1943 Joan Fontaine melodrama that hasn’t been seen for years because of legal snags.

In the realm of musicals, he recommends Shall We Dance, with Fred Astaire and Ginger Rogers doing their fancy footwork to the Gershwins’ music, plus campy support from Edward Everett Horton and Eric Blore. “I’m very excited about Fred and Ginger on the big screen,” Tabesh says. “It’s just a great experience to see their films in a theater.”

The Gershwins’ body of work will also be celebrated in the festival’s opening night gala, a screening of An American in Paris, with Leslie Caron scheduled to attend. George Gershwin instrumentals provide the background to Woody Allen’s Manhattan, a love letter to the city as well as an exploration of tangled relationships (look for a pre-superstardom Meryl Streep as Woody’s lesbian ex-wife). Mariel Hemingway, who played Allen’s teenage girlfriend in the film, is slated to be present.

Other musical offerings include Seven Brides for Seven Brothers, with what Tabesh calls “probably the best dancing you’ll ever see,” and another contender for that title, West Side Story, with New York street toughs performing to the tunes of Leonard Bernstein and Stephen Sondheim, in a 50th anniversary screening. Jane Powell will be present for the former, George Chakiris for the latter.
 












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