The excitement around this year's Sundance Film Festival has been muted by talk of boycott in response to Mormon efforts to pass Proposition 8. Director and Sundance veteran Gregg Araki explains why he thinks turning your back on the film festival is exactly the wrong approach.
As one of the subjects of the documentary about the drag pageant circuit, Pageant, opening in select theaters, and one of the contestants on RuPaul's Drag Race, premiering next month on Logo, Victoria "Porkchop" Parker may not look or act like your typical female impersonator, but make no mistake, she is one of the best.
On Broadway, Doubt -- the story of a steely nun facing off against a heroic priest, whom she fixates on for giving special attention to the school’s only black (effeminate) kid -- worked because of a top notch cast and its unique brand of stylized narrative. If only the excellent Meryl Streep and Viola Davis were enough to make the movie work quite so well.
She’s best known for playing the role of an outspoken, eccentric, overbearing PFLAG mom on Queer as Folk, a tough cop named Cagney on Cagney & Lacey, and most recently the mouthy mother on Burn Notice. But Sharon Gless has returned to gay and lesbian audiences playing a new kind of role: an actual lesbian.
At first glance, Malaysian-born writer-director Yen Tan would seem to have little in common with his new film, Ciao, the story of grieving Texan Jeff (Adam Neal Smith), who learns that his late friend had an e-mail relationship with hunky Italian Andrea (Alessandro Calza). But Tan's art imitates life in unexpected ways.
In 2009, Sundance will celebrate 25 years of bringing together international cinema and a variety of cultures in Park City, Utah. But with California's gay community reeling from the passage of Prop. 8, activists and filmmakers are suggesting a boycott of the festival and theater chain Cinemark, whose CEO donated a substantial sum to the marriage ban's campaign. But just how realistic is a boycott of an entire state?
When Rob Epstein released his 1984 documentary The Times of Harvey Milk, it didn’t simply serve as a memorial to Milk -- it gave him new life. For more than two decades, filmmakers have tried to turn Milk's life into a major motion picture. Screenwriter Dustin Lance Black and Gus Van Sant finally made it work, and Epstein, who calls the film "beautiful," takes a look back at the man who inspired a movement and what's become of California's gay community without him.
No on 8 protesters lined Castro Street, shouting at the top of their lungs for marriage equality as Hollywood gathered for the premiere of Gus Van Sant's Harvey Milk biopic. Emile Hirsch, Josh Brolin, James Franco, Diego Luna, and Sean Penn were all on hand. Penn, notoriously press-shy, got out of his car and went over to shake hands and give a thumbs-up to the protesters. It was a fitting celebration of a great man's legacy.
Former Advocate publisher David B. Goodstein is portrayed as one of Harvey Milk’s political nemeses in Gus Van Sant’s new movie. Oftentimes imperious, Goodstein would seem perfectly cast in that role. But only in the movies does every white hat have a black counterpart.
Actor Steven Weber one-ups even Larry Craig and J. Edgar Hoover (at least the version depicted in Oliver Stone’s JFK) as a sinister-and-sleazy-beneath-the-surface politician in writer-director Luke Eberl’s drama Choose Connor.
Side by Side was supposed to be Russia's first LGBT film festival, but on October 2, just hours before the scheduled premiere, organizers were met by officials blocking the entrance to the venue, claiming fire code violations—an excuse they say Russian authorities have used since the early '90s as a pretext for shutting down events as they see fit.
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