Clash of the Classics: But I'm a Cheerleader vs. Weekend

In the head-to-head match of our qualifying round in our Clash of the Classics tournament, it's But I'm a Cheerleader vs. Weekend.

BY Advocate.com Editors

June 28 2014 12:59 PM ET

After compiling a list of the most essential LGBT movies, The Advocate is pitting the top 32 entries against one another in a series of one-on-one face-offs. In this round, But I'm A Cheerleader, the celebrated lesbian-cheerleader comedy that lampoons gay conversion therapy, is up against Weekend, the darling British drama about modern gay love. Which film is more essential? Vote below, and check out our full list of the top 175 most essential LGBT movies at Advocate.com/top175.


But I'm A Cheerleader, 1999 (13 seed)

This comedy manages to both make fun of the absurdity of efforts to “de-gay” people by sending them to organizations that claim to rid patients of homosexual desires, and make a poignant statement about the dangers of so-called sexual orientation change efforts. Lesbian director Jamie Babbit brings a poignant queer woman’s perspective to the feature, which also stars lesbian fan favorites Natasha Lyonne and Clea Duvall. Ultimately, the most powerful component of this lighthearted film is the nuanced exploration of female sexuality, which has helped more than a few now out and proud ladies — this writer included — come to terms with being a feminine woman who isn’t straight. —Sunnivie Brydum

Weekend, 2011 (20 seed)

This beautifully restrained film tells the story of two young gay British men who meet at a club, hook up, and fall in love over the course of an eventful weekend. One of the guys is introverted and half-closeted, while the other is brash, gregarious, and wears his sexuality on his sleeve; their worldviews complement each other and their chemistry is explosive. Through passionate conversations, many drug-fueled, they alternately challenge, confuse, and confound each other. It's a grown-up, no-holds-barred exploration of modern love between men, and even the sex is honest. Directed by Andrew Haigh, who's moved on to executive-produce HBO's Looking, the film well deserved its status as a critical darling. —Neal Broverman

 

Vote here on Facebook or Twitter by Sunday, June 29, and check in every day for more Clash of The Classics.

 

 

 

 

 

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