Cover Stories

Driving the governmental, religious, and popular disdain for gays and lesbians, the Russian president became the single greatest threat to LGBTs in the world in 2014.

November 06 2014 10:30 PM

Gossip front woman Beth Ditto capped off an amazing year with her very revealing memoir, Coal to Diamonds.

December 03 2012 2:45 AM

With her sixth studio album flying off shelves, the top pop artist of the last decade talks about marriage, music, motherhood, Occupy Wall Street, and her sexual orientation.

October 16 2012 5:10 AM

When the up-and-coming musician came out, he drew praise from celebrities and his hip-hop collaborators, and revived the question of whether gays have a place in the industry.

September 14 2012 5:20 AM

For the first time in decades, The Advocate has a candidate it can endorse for president. That candidate is Barack Obama.

July 13 2012 11:40 AM

In an Advocate cover interview, Okereke sets the record straight, so to speak.

May 14 2012 6:00 AM

Social conservatives are searching for a hero, and Rick Santorum’s antigay views have helped him claim the mantle of religious freedom fighter.

April 09 2012 2:00 AM

 "I was seduced by the madness and the fame," Ricky Martin says, letting out a deep breath as he leans back on a sofa in a studio in the Chelsea neighborhood of Manhattan. The 40-year-old superstar's chiseled features, which once made him an MTV fixture, ensure he's still boyishly handsome, but there's also a well-earned maturity that wasn't evident when Martin became a household name. "Once I took a moment to step out of the spotlight and create my family, I thought it was the perfect moment to have this stability."

Having settled down with his partner and two children in New York this winter, Martin has found a constancy that seemed to be missing when he first became a superstar more than a dozen years ago. The singer is in many ways liberated, certainly from the closet in which he hid his sexual orientation. Perhaps the best word for Martin is one he used to describe himself last year while accepting an award from the Gay and Lesbian Alliance Against Defamation: free.

He may be free, but today Martin is a very busy man and on a rigid schedule. Martin arrives at the studio for this interview and photo shoot accompanied by his longtime publicist, John Reilly, and his manager, Jose Vega, who's been with him since he joined the wildly popular Puerto Rican singing group Menudo when he was 12 years old. He's just come from a wardrobe fitting for Evita, a Broadway revival of Andrew Lloyd Webber's celebrated political-themed musical; it's the reason for his move to New York. And though he says he's eager to get home to see his twin sons, Matteo and Valentino, Martin takes time to offer a friendly smile and firm handshake to everyone on the small crew assembled for the photo shoot. Although it's a brutally chilly Friday afternoon in Manhattan, Martin is gregarious and warm.

Martin's charisma appears effortless and genuine, and his magnetism isn't reserved for the cameras. The crew, most of whom are gay men, exchange glances to signify that this will be an exciting afternoon. Even the lesbian studio manager — no stranger to superstar photo sessions — is hovering about, clearly smitten with Martin.

His crossover appeal is, by now, almost legendary.

March 11 2012 10:25 PM

 The temptation to apply layers of meaning to the story Madonna tells in her new film, the cryptically titled W.E., is irresistible.

The pop superstar's second feature film as a director, W.E. is a tale of two women, two cultures, and two eras. Wallis Simpson was a real-life American socialite of the 1930s who was vilified for falling in love with England's King Edward VIII; he abdicated the throne to marry the divorcée. Madonna's movie attempts to reclaim Wallis's image by turning a polarizing woman often perceived as a villain into a sympathetic figure.

And then there's Wally Winthrop, the other woman — this one fictional — in New York City in the late 1990s, at a time when Simpson's jewels and other possessions were being auctioned off for charity. Trapped in an abusive marriage that appeared to be fairy-tale perfect, Wally obsesses over Wallis, her bygone namesake, and turns to her for support.

Like Madonna's best videos and music, W.E. is a pastiche of eras past and present, with a heavy emphasis on style, fashion, and design. Her presence is clearly felt. More oblique is the connection to Madonna's own life. The movie depicts Wallis as a dramatically different person than she was in her private, tortured reality. Wally's fantasy facade, concealing a darker truth, invites comparison to Madonna's now-dissolved marriage to filmmaker Guy Ritchie and raises the question of whether Madonna feels as vilified as Wallis.

"I was intrigued," Madonna says of the royals. She had a vague awareness of Wallis but only really got to know her story when she moved to England. "Like Wallis Simpson, I felt like an outsider. I thought, Life is so different here, and I'm used to being a New Yorker, and I have to learn how to drive on the other side of the road. Suddenly, I found myself living out in an English country house and trying to find my way in this world, so I decided to really take it on and do research and find out about English history and learn about the royal family."

Madonna read every book she could find about Simpson and her time. She became obsessed with the tragic notion that a woman then was only as good as the man she would marry. "The idea of making a choice for love wasn't really part of their world," says Madonna. "The fact that they eventually found each other and were willing to jump into this fishbowl of scandal and rile people up, even though Wallis knew, as she says in the film, that she would become the most hated woman in the world" — that's what captivated Madonna.

While she doesn't claim the title "most hated" for herself, she feels a connection to Simpson. "I mean, I certainly don't engage [with the media] as much as I did," she says. "When people are writing about you in the beginning and they're saying nice things, you're like, 'Oh!' You feel this lift of energy. Then they say bad things, and of course, you're affected by that too."

Madonna spent a lot of time caring about the bad, but she claims to have moved on. "I don't really dwell on it anymore. I used to be kind of fixated on it and think, It's not fair, it's not fair, it's not fair, but it is what it is, and I just have to get on with my life."

But Madonna's passion for this topic belies that resolute attitude: "If you are threatened by me as a female or you think I'm doing too much or saying too much or being too much of a provocateur, then no matter how great of a song I write or how amazing of a film I make, you're not going to allow yourself to enjoy it, because you're going to be too entrenched in being angry with me or putting me in my place or punishing me."

February 02 2012 4:59 AM

An exclusive interview.

January 12 2012 4:00 AM