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Scroll To Top![Wesley Harvey, 1 man, 1 cup, 2017. Slip-cast earthenware, gold enamel, resin 6" x 7" x6"](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 1000 750'%3E%3C/svg%3E)
![Ryan W Kelly, Hapless Hotdog Selfie, 2016. Ceramics 10" x 14" x 23"](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 1000 750'%3E%3C/svg%3E)
![Jeremy Brooks, The Gaze, 2017. Ceramics, 6 3/4" x 3" x 3"](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 1000 750'%3E%3C/svg%3E)
![Triesch Voelker, Dual/Duel, 2016. Ceramic with underglaze drawing, 11" x 7" x7"](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 1000 750'%3E%3C/svg%3E)
![Triesch Voelker, Dual/Duel, 2016. Ceramic with underglaze drawing, 11" x 7" x7"](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 1000 750'%3E%3C/svg%3E)
![Kathy King, I felt like I could really trust her, 2017. Carved, glazed porcelain 12" x 12" x 12"](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 1000 750'%3E%3C/svg%3E)
![Mark Burns, Plague in Lavender (HIV), 2017. Porcelain, wood, glass 20" x 13" x 8"](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 1000 750'%3E%3C/svg%3E)
![Holly M Thompson, Holly M, Conjunction Series B, 2017. Porcelain, slips, glazes, steel 9" x 8" x 10"](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 1000 750'%3E%3C/svg%3E)
![Jeremy Brooks, Cruising For A Bruising, 2017. Ceramics, 10 1/4\u201d x 10 1/4\u201d x 1\u201d](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 1000 750'%3E%3C/svg%3E)
![Kathy King, We had such a unique connection, 2017. Carved, glazed porcelain 12" x 12" x 12"](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 1000 750'%3E%3C/svg%3E)
![Holly M Thompson, Holly M, Conjunction Series A, 2017. Porcelain, slips, glazes, steel 9" x 8" x 10"](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 1000 750'%3E%3C/svg%3E)
![Matt Nolen, Love Warrior, 2016. Porcelain 23" x 12" x 10"](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 1000 750'%3E%3C/svg%3E)
![Kathy King, She seemed really into me, 2017. Carved, glazed porcelain 12" x 12" x 12"](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 1000 750'%3E%3C/svg%3E)
![Jeremy Brooks, Seeing Red, 2017. Ceramics, 12" x 6" x 14"](data:image/svg+xml,%3Csvg xmlns='http://www.w3.org/2000/svg' viewBox='0 0 1000 750'%3E%3C/svg%3E)
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Wesley Harvey, "1 man, 1 cup," 2017. Read more below.
Above: Wesley Harvey, 1 man, 1 cup, 2017. Slip-cast earthenware, gold enamel, resin 6" x 7" x6"
"Rough Trade": Curated by Wesley Harvey, Darren Lee Miller, and Ian F. Thomas
In this exhibition at Pennsylvania's Allegheny College, the semantic geography of the word "trade" is explored to move it beyond male sexuality and sex acts specifically, and to reconceive the word within the broader realm of queer art theory to explore nonnormative identities, power play, desire, and the allure of risky assignations. Many of the invited artists have crafted new works for this show using time-honored methods to make ceramic sculptures and functional wares that are anything but traditional. The artists are Mark Burns, Jeremy Brooks, Wesley Harvey, Ryan Wilson Kelly, Kathy King, Howard Kottler, Matt Nolen, Anne Drew Potter, Anthony Sonnenberg, Caitlin Rose Sweet, H.M. Thompson, and Triesch Volker. This exhibition is supported in part by the Pennsylvania Council on the Arts, a state agency funded by the Commonwealth of Pennsylvania and the National Endowment for the Arts. For more information see the gallery website. Through March 4.
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Christopher Harrity
Christopher Harrity is the Manager of Online Production for Here Media, parent company to The Advocate and Out. He enjoys assembling online features on artists and photographers, and you can often find him poring over the mouldering archives of the magazines.
Christopher Harrity is the Manager of Online Production for Here Media, parent company to The Advocate and Out. He enjoys assembling online features on artists and photographers, and you can often find him poring over the mouldering archives of the magazines.