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Suburban is almost sexy; the bodies are sprawled about, mostly nude, and are a pleasure to look at. But Jimmy DeSana uses the body the way a dancer does to express emotion and tell a story much bigger then the pleasures of the flesh. And the emotion is an awkward, bound-up one, reflecting so perfectly the angst of the '80s.
About this work, DeSana told Laurie Simmons, his contemporary and longtime roommate, “I don’t really think of that work as erotic. I think of the body almost as an object. I attempted to use the body but without the eroticism that some photographers use frequently. I think I de-eroticized a lot of it. Particularly in that period, but that is the way the suburbs are in a sense.”
There has been a renewed interest in queer artists and the legacy of a generation destroyed by AIDS, with regard to contemporary photography and queer culture. Jimmy DeSana: Suburban is an essential contribution to this evolving canon. Copublisher Salon 94 represents his estate and mounted a well-received exhibition in 2012, which sparked ongoing interest in his art and photography from the 1980s.
DeSana died in 1990 at 41 of an AIDS-related illness.
Read more about Jimmy DeSana: Suburban from Aperture here.
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Christopher Harrity
Christopher Harrity is the Manager of Online Production for Here Media, parent company to The Advocate and Out. He enjoys assembling online features on artists and photographers, and you can often find him poring over the mouldering archives of the magazines.
Christopher Harrity is the Manager of Online Production for Here Media, parent company to The Advocate and Out. He enjoys assembling online features on artists and photographers, and you can often find him poring over the mouldering archives of the magazines.