Griswold gives you the male figure in a direct, emotional way — no coy justifications needed.
Selections from two of Andrew Printer's photo series show him to have a range from pop and witty to a more emotional and ephemeral tone.
Barthé was a key figure in the Harlem Renaissance in the 1930s, then he crashed into obscurity. Did his homosexuality have anything to do with that?
James Gobel wanted his latest bear-centric work to be more cuddly. "An artwork that you could conceivably snuggle up to seemed a good place to start."
The AIDS activist art collective's message was scathing, stylish, and often quite funny.
Artist Thomas Allen Harris, who's shown work at the Whitney Biennial and the Museum of Modern Art, brings his sensibility to an ambitious documentary series on black identity.
Thomas Evans is drawn to the dark side of flamboyance. His photographs of glamor and gender variance need a new descriptive word: funcomfortable.
Connell's dual portraits create tiny moments packed with so much feeling that the fantastic technical work seems to disappear.
A Cyclona pink-painted drag queen is a showstopper, plus Don Bachardy’s giant phosphorescent acrylic of Keith Coleman is another treat to behold.
This London photographer's work makes everyone want to be a male physique photographer. But it's harder than it looks.
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