An emotional
Domenico Dolce and Stefano Gabbana celebrated their 20th
year of business on Thursday, flicking through archive
footage of the sexy style that shot them to stardom
and striding into the next decade down on the farm.
This was the show fashionistas were looking forward to
at Milan fashion week, and even the huge, sweaty queue
outside and the hour-long delay did nothing to dampen
their enthusiasm. When the lights finally went down, a
cinema projector flickered into life and flashed up
reams of black-and-white pictures of past Dolce &
Gabbana shows while the duo's romantic signature tune
from the opera Cavalleria Rusticana blared out.
"Their greatness
is to have stamped their imprint on a whole look,"
Franca Sozzani, editor of Italian Vogue, told
Reuters. "The image of strength and confidence they
created is so recognizable that it truly stands out on
the street." After a run through the past, it was on with
the show. As the music died down, a curtain drew back
to reveal a large haystack. Slowly a stage came up
from the floor dotted with Dolce & Gabbana
temptresses in demonic red dresses. Bright red lace and
broderie anglaise clung to models' bodies, some
decorated with wide bands of white or black lace,
others printed with poppies or sheaves of wheat, a theme
that reappeared on numerous skirts and dresses. Even if the
backdrop was pastoral for the show, Dolce &
Gabbana kept their sexy edge, as models strutted the
catwalk with pieces of straw in mussed-up hair as if
they had just emerged from a romp in the hay.
Once the
spring-summer 2006 collection hits the stores, Dolce
& Gabbana will likely provide plenty of sexy
suits, but only a couple were on display on Thursday,
either with pencil black skirts or capri-length
pin-striped trousers. "There were so many elements, which is
typical of them," said Harper's Bazaar editor
Glenda Bailey. "To be in business for so long and remain
independent is testimony to their continuing
creativity, innovation, and skill as businessmen."
For the grand
finale, the soundtrack changed to Giuseppe Verdi's La
Traviata, and a dozen courtesans rose from the
stage floor, barefoot in billowing ball gowns with pastoral
prints and cowgirl broderie anglaise mixing with acres
of tulle skirt. Dolce and Gabbana themselves then
emerged from the pit, hand in hand despite their
well-publicized breakup, and walked the runway dewey-eyed as
the fashion crowd jumped to their feet for a standing
ovation. (Jane Barrett, via Reuters)