Disney Dykes and Bourbon Street Boys: Authors Lisa Girolami and Greg Herren
BY Advocate.com Editors
June 21 2012 3:00 AM ET
Long before Lisa Girolami began her career as a lesbian novelist she was working in the entertainment industry, where she spent 30 years, including 10 years as a motion picture production executive and two decades producing and designing theme parks for Walt Disney and Universal Studios. The author of four novels (including the recent Fugitives of Love), the Long Beach, Calif.-based Girolami sat down recently to chat with her Bold Strokes Books label mate, Louisiana's Greg Herren, the award-winning author of 17 novels (including Murder in the Rue Chartres) and editor of 12 anthologies (such as the award-winning Love, Bourbon Street: Reflections on New Orleans). In addition to writing, Girolami is also a counselor for LGBT clients, and Herren, who lives in New Orleans with his partner, works as an HIV counselor/researcher.
Girolami: Other than a few emails back and forth, I haven’t talked to you since we were on our hunt for Beaver Pond in the Adirondacks [during a retreat for Bold Strokes Books authors]. You were such a champ to accompany a bunch of us lesbians in our pursuit of that elusive body of water. Took us two days of hikes to finally find it, as I remember.
Herren: Yes, it took two days of trailblazing through the wilderness, but I had full confidence in my lesbians’ ability to find the Beaver Pond.
Girolami: It took us two days of bushwhacking, pardon the intended pun, but we finally found it. I think that’s what’s so great about our family of authors at Bold Strokes Books. I mean, and this is truly not a brown-nosing moment, all of the authors support each other so much. When my first novel was accepted, I knew nothing about the publishing business. I thought it would be really competitive and that the authors wouldn’t socialize and encourage each other because of the need to keep their own sales protected. Maybe it’s because I’m in the entertainment business. I’ve spent over 30 years producing motion pictures and theme parks, and it can be super-competitive and protective. We don’t help the competition! But there’s none of that at BSB. I help other authors and they help me. Do you think it’s part of the gay community notion that sometimes it’s not so much the family you’re born into but the family you make?
Herren: While I have been surprised over all how welcoming the publishing community is — I’ve had so much help from so many authors and editors over the length of my career — BSB is rather unique in that the publisher creates a sense of community with its authors, which I’ve never experienced at a publisher before, and BSB is the fourth or fifth publisher I’ve worked with. Not that the other publishers weren’t good experiences, but there wasn’t a sense of community with the authors. I always dealt with my editor, copy editor, etc., only — not with other authors. And there’s a sense of isolation there. Fortunately, I live in New Orleans, where there are lots of literary events annually and lots of local authors, so I’ve always have a very strong support system. I remember one day I had lunch with Julie Smith, ran into Poppy Z. Brite in the grocery store, bumped into Nevada Barr at the bookstore, and had dinner with J.M. Redmann. So there you go. I’m pretty lucky.
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