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Clash of the Classics: Bound vs. Hedwig and the Angry Inch

Clash of the Classics: Bound vs. Hedwig and the Angry Inch


In the next match of our qualifying round in our Clash of the Classics tournament, it's Bound vs. Hedwig and the Angry Inch.

After compiling a list of the most essential LGBT movies, The Advocate is pitting the top 32 entries against one another in a series of one-on-one face-offs. In this round, Bound, the neo-noir lesbian thriller, is up against Hedwig and the Angry Inch, the cult musical about a trans rock singer. Which film is more essential? Vote below, and check out our full list of the top 175 most essential LGBT movies at

Bound_x200_0Bound, 1996 (7 seed)

This neo-noir thriller marked the directorial debut of the Wachowski siblings, and though it was long before Lana Wachowski was an out trans woman, we can't help but think it helped influence this superb bisexual/lesbian classic in which Violet (femme and alluring Jennifer Tilly), a moll owned by her Mafia boyfriend (Joe Pantoliano) but looking for escape, has an affair with butch neighbor Corky (Gina Gershon in the hottest lesbian film role ever). The two women hatch a scheme to steal millions from the mob, and the usual noir tropes (just who is betraying who?) work to great success, albeit with a hefty dose of violence (this is a rare film where there are empowered women and violence and the latter isn't directed at the former). The reason queer girls loved it? The sex was genuine and hot, thanks in large part to Susie Bright, who served as the resident lesbian sexpert to help the auteurs get it right. (She has a cameo too.) --Diane Anderson-Minshall

Hedwigx200_0Hedwig and the Angry Inch, 2001 (26 seed)

In this multi-award-winning new cult classic, a trans front woman of an East German punk rock band tells her life story in song form, of falling in love with an American soldier, getting a botched gender surgery (hence the "angry inch"), and of being left for another man. It's less TransAmerica and more Rocky Horror, but John Cameron Mitchell, who wrote and directed it, is smashing in the title role. --Diane Anderson-Minshall


Vote here on Facebook or Twitter by Sunday, June 29, and check in every day for more Clash of The Classics.

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