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Reflecting on Queer Cinema's Golden Age: The Gay '90s

A New York film festival reminds us how wide the celluloid closet busted open 20 years ago. The Advocate's editors look back at how these movies changed history and their own identities.

<iframe allowfullscreen="" frameborder="0" height="422" src="https://www.youtube.com/embed/2iBFmKlO4BY" width="750"></iframe> Thelma & Louise (Ridley Scott, 1991, DCP) <!--break--> <iframe width="750" height="422" src="https://www.youtube.com/embed/TwqohAb

Thelma & Louise (Ridley Scott, 1991, DCP)

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How Black communities protected each other during the early days of the AIDS crisis

Fighting against an illness with no treatment and institutional racism, Black queer communities had to look inward for support.

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For New Yorkers, Stonewall’s new Pride flag is only step one

New Yorkers are doubling down on organizing efforts to combat an anti-LGBTQ federal agenda.

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When community care became a threat

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Defiant Don Lemon says ‘the process is the punishment’ after lawyers reveal feds took his phone

“I will fight these baseless charges, and I will not be silenced,” the gay journalist said.

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Everything queer we loved at the 2026 Sundance Film Festival

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The Sundance Film Festival may have already come and gone, but I’m still ruminating on the queer films I caught at this year’s event. Keep Reading →

'Rock Springs' is a slow burn that's both haunting and full of heart

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Kelly Marie Tran in 'Rock Springs'

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If you’ve ever walked into a room, driven through a small town, or simply existed in a space where white cis-het norms were mandatory—and felt the dreaded weight of unwelcome eyes upon you—then the pervasive sense of dread and foreboding that writer-director Vera Miao and cinematographer Heyjin Jun capture in Rock Springs will be eerily and achingly familiar. Keep Reading →

'Barbara Forever' review: An ode to filmmaker Barbara Hammer—and lesbian history

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Barbara Hammer appears in Barbara Forever by Brydie O'Connor, an official selection of the 2026 Sundance Film Festival.

Courtesy of Sundance Institute | Photo by The Estate of Barbara Hammer
If you don't see lesbian history, you have to make it yourself. Keep Reading →

'Big Girls Don't Cry' review: The beautiful gut punch of growing up

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In introducing the Sundance screening of her stunning debut feature-length film Big Girls Don't Cry, filmmaker Paloma Schneideman said she made this queer coming-of-age tale set in rural New Zealand because movies can save people's lives. Keep Reading →

'Leviticus' review: Conversion therapy is a real horror

Leviticus

Joe Bird appears in Leviticus by Adrian Chiarella, an official selection of the 2026 Sundance Film Festival.

Courtesy of Sundance Institute | Photo by Ben Saunders
Internalized homophobia can feel like a pair of hands around your throat, slowly strangling you. In the new Australian conversion therapy horror Leviticus, that feeling becomes violently real. Keep Reading →
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