
Here in Park
City, Utah, it’s no simple thing to dance the
Sundance. There’s no telling how many Sundance film
festivals are going full tilt all at once, from the
high-def documentaries at the tiny Holiday Cinemas to
the celebrity hubs on Main Street and the
invitation-only outposts, hidden in the snow-dusted hills,
where movies and dreams are being bought and sold.
There are two ways to respond to the sensory
blitz. You can dart from screening to screening at
some 10 festival theaters in various locations around
town, towing your coat, willing the traffic to move faster
and the lines to be shorter. Or you can pick a
direction, go with the flow, and see where it takes
you. Surrounded by 40,000 other festivalgoers, this
year I’m going with the flow.
Friday evening the flow leads me to the Queer
Lounge, a superlatively hip, laid-back, welcoming
space created and operated in Park City’s
Gateway Center by Los Angeles entrepreneur Ellen Huang. It
took a lot of support from a lot of queers to get this
comfy-cool enterprise running, and I’m reminded
why I love my job when I see The Advocate
appear in acid-green laser outline in the roll of sponsors
on the wall.
In its second year, the Queer Lounge is a smash
hit, backing up its mission to queer filmmakers with
fellowship by day and hot-and-cold running queer
parties every night. Friday’s bash was hosted by TLA
Releasing, one of a wow-inducing upswell of gay
entertainment businesses putting themselves out there
this year.
TLA has lots to crow about, with one of the
festival’s most talked-about entries,
Mysterious Skin. Several other posses are in
attendance, some flanked by camera crews. Just outside the
door, bathed in white-hot video light, the rather
delicious-looking Michelle Wolff does stand-up
interviews for Here TV. Inside, Here execs Meredith Kadlec
and Stephen Macias hold court. Stacy Codikow, Lisa Thrasher,
and their crew from the Los Angeles women’s
networking organization Power-Up talk up their fourth
consecutive Sundance short, the pungently named
Billy’s Dad Is a Fudge-Packer. And
AfterEllen.com founder Sarah Warn heads up a knot of
lesbians sizing up the scene.
Soon I find myself talking to a stranger
who’s tall, dark, handsome, and burning with
passion for his film, Ringers: Lord of the
Fans. It’s a feature documentary on the worldwide
phenomenon of fandom inspired by J.R.R.
Tolkien’s trilogy, The Lord of the
Rings, and it’s opening the Slamdance festival at
11:30 tonight. The tall, dark producer, Jeff
Marchelletta, is a Tolkien nut himself, as are
cowriter Cliff Broadway and straight-but-not-narrow
cowriter-director Carlene Cordova. And at this moment
they’re in the midst of discovering how it
feels to be loved not for oneself but for one’s movie.
Cliff, who’s been known to host Los
Angeles’s Lord of the Rings Oscar
parties in drag—last time he was the Rohan maiden
Eowyn—is pretty well beside himself, until he swings
his cell phone into action, at which point he becomes
terrifyingly calm and collected. Under his sleeve,
Jeffrey hands me an invitation to the film’s
premiere party, sponsored by Levi’s, set to kick off
just minutes away. (“Don’t give
this away to anybody else,” he whispers.)
Elijah Wood is supposed to show; likewise Dominic Monaghan
(now of the ABC TV hit Lost), who narrates the film.
Contrary to type, I tag along.
Out in the quiet snow-banked middle of nowhere,
the party’s roaring in a temporary building,
reminiscent of the mess tent from M*A*S*H, set
up by what looms up like a castle from Middle-Earth
but is in fact a swank ski condo. Elijah hasn’t shown
by the time I leave, but a rock band is kicking ass
from the tiny stage, and as my cab pulls away toward
town, two stretch limos pass me going the other way.
Back in town, things are getting under way at
one of the fest’s principal must-attend
parties, staged by Interview magazine in honor
of Rize, David LaChapelle’s heartful (and
gorgeous) documentary about the L.A. hip-hop clown
movement known as krumping. Where’s this party
taking place? The Queer Lounge, now dressed as a
tattered boxing gym with a mini boxing ring in the courtyard
and yellow police-barrier tape threaded all around.
Inside the thump-thump-thump on the dance floor
animates gorgeous men and women falling into the broad
category of stars-I-should-know. Outside, on a
sidewalk ribboned with ice, onlookers crowd the police
barricade manned by a young publicist armed with
headset, wristbands that guarantee entrance, and the
all-important list. Even though they’re not
inside, the spectators enjoy the suspense as each new
would-be partier advances in line and waits to see
whether his or her name is listed. If the answer is
yes, everybody cranes forward: Is that a Name under the
knit cap? If the answer’s no, and the partier gets
turned away, that’s just as entertaining. Face
it, seeing somebody else crestfallen is one of
life’s small pleasures.
Later, it’ll all get out of hand. In the
wee hours, when Pamela Anderson and Paris Hilton
emerge in quick succession, the crowd loses it and
rushes them. In minutes Main Street will be a sea of squad cars.
Now it’s 11:30 p.m.—it feels like
4 a.m. or something, what with the altitude and the
jet lag—and up Main Street I go to the Treasure
Mountain Inn, where Slamdance movies get screened in tiny
chambers with straight chairs and no air-conditioning.
(“Slamdance is clothing-optional,” quips
the master of ceremonies.) But the crowd is ready for
Ringers. A group of actual Ringers (the
Middle-Earth equivalent of Trekkies) have been camped out,
in costume, all night, waiting for one of the scanty
number of seats. Marchelletta, Broadway, and executive
producer Tom DeSanto patrol, making sure distributors
get seats. Much business is to be conducted tonight.
I wish I could describe the whole film. I can
say it started off great—polished,
professional, with talking heads from Peter Jackson to
Elijah Wood, narrated by fellow hobbit Monaghan. And
there’s plenty of attention paid to the homo
overtones of Frodo and Sam’s comradeship. More
than that, however, I can’t say.
Shamefully, I fell asleep.
One day over, more to come.
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