
First off, the cover art for Last Night only
features busty babes -- and they don’t look
transsexual. Where are the men, Moby?
Oh, you haven’t seen the inside yet!
There’s a really beautiful shirtless Polish boy
with long red hair cascading down to his waist. He’s
sort of the centerpiece of the art on the
inside.
So what did you do last night?
Oh, last night was very glamorous. I flew back
to New York from California, so my last night was
spent watching Everybody Loves Raymond on the
in-flight monitor on crappy American Airlines.
Are your nights fairly low-key nowadays?
As of late, yeah. For the last couple of years,
I’ve found myself going out way too often. I
mean, I’m 42 years old, and I hate to say this
-- it sounds like an old-age cliché -- but it’s
started to catch up to me. There were decades of my
life where I could stay out until 6 in the morning
every night with really no consequences, but I’ve
found now that if I stay out until 5 or 6
o’clock in the morning and even have just four
or five drinks, the whole next day is kind of shot.
Does an ideal night out in New York involve gay clubs?
On occasion, but the only problem is that I live
right next to the Lower East Side, and all the good
gay clubs are in Chelsea -- and I’m nothing if
not provincial. Also, the bigger gay clubs -- and bigger
clubs in general -- kind of turn me off. I almost
prefer a sleazy dive bar to a big shiny new club.
I’m really not particularly classy when it comes to
my taste in bars and nightclubs. I’ve been to Motor
City on Ludlow Street probably about 500 times.
Last Night
is your most dance-oriented album in years. Will
you still be making dance music even when you look like
the “nursing-home Moby” from your
“Natural Blues” video?
Maybe not when I’m in my 90s, although
who knows? It’s funny, because dance music is
slowly becoming like a musical idiom, almost like folk
music or jazz. I did a photo shoot recently for Mix
mag’s 25th anniversary, and the average age of
the people in the shoot was probably around 40.
It’s just funny that this very progressive,
technologically driven musical genre is slightly
graying.
Well, just look at Madonna.
Yeah, she’s 120.
How do you reconcile your art with the drug use that
permeates the hard-core club scene?
I don’t think there’s anything
inherently good or bad about drugs, just like
there’s nothing inherently good or bad about bricks.
If you use a brick to build a house, it’s a
good use of it; if you use it to drop on
someone’s foot, that’s not such a good use.
Everything really depends on use and context. I would
safely say every single person I know has either done
or continues to do drugs, and manages to live a healthy,
happy life. In moderation, I think drugs are fine, but
I don’t know too many light, moderate crystal
meth users. There are some drugs, like crack and crystal
meth, where it’s hard to argue for their therapeutic
benefit. It’s not like a couple of glasses of
red wine with dinner that lowers your
cholesterol.
How can one dance past sunrise without drugs? Because Red
Bull isn’t cutting it.
Speaking from experience, there are lots of
ways. A few of my friends who are still late-night
clubgoers come home and sleep until 3 in the morning,
then go out at 3. In extreme cases, they’ll sleep
until 6 in the morning and go out at 6, but the
contrast is that if you walk into a club feeling
bright-eyed and bushy-tailed, and everybody else in there
has been up for the last four days and looks like
they’ve been dead for the last few years, then
that’s not so sexy.
You’ve been such an ally to the gay community that
you’ve taken some heat for it -- like when
you stated in an interview that gays were
“superior to straight people.” Do you
stand by that?
Yeah, and I also said that if and when I ever
have children, I want gay children, which
didn’t really endear me to the Christian right wing
of America. There are a lot of people in the world who
are virulently homophobic or misogynistic or
anti-Semitic, and what baffles me is that if you just
look at it empirically, gays, women, and Jews are certainly
responsible for far fewer violent crimes than straight white
guys. They’ve started fewer wars, and
they tend to be well educated, fun to hang out with,
and they have nice homes, bars, and restaurants.
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