Adrien Brody is a serious actor. After all, he won an Academy Award for his portrayal in The Pianist of a Polish Jewish musician struggling to survive in the Warsaw ghetto during World War II. Not surprisingly, the 35-year-old next stars as the more serious sibling opposite Mark Ruffalo in the seriocomic con artist caper The Brothers Bloom. Brody will, however, lighten up a bit for his gay fans -- just as long as you steer clear of homo hypotheticals. Seriously.
I hope you’re in a good mood today for some silly
gay questions.
I’m in a good mood, but let’s see
if I’m still in a good mood at the end.
We’ll ease into it. Are you aware of your gay following?
Well, I’ve lived in West Hollywood, Chelsea, and
right off Christopher Street -- all largely gay
neighborhoods -- and I was aware of a number of people
there who were fans of mine, so I guess that’s a nice
thing. You’re aware of it?
Sure. Let’s talk about 1997’s The Last
Time I Committed Suicide, in which you
played a character patterned after gay beat poet Allen Ginsberg.
You know, that’s so funny, because [my publicist]
sent me an e-mail about possible interview topics like
gay roles, and I thought, I haven’t really had
the opportunity to play a gay role. But yes, I did. I forgot
about it; it was so long ago. Let’s talk about it.
How did Ginsberg’s sexuality inform your performance?
Obviously the character had an intense physical
attraction to the character based on Neal Cassady, but
Neal didn’t share the same feelings. As an
actor, an emotion is an emotion regardless of who
it’s for. It’s challenging to do any
role where there’s a great deal of physical
intimacy, but I haven’t had to deal with that
[opposite another man].
What conversations did you have with director Spike
Lee about your character Richie’s sexuality in
Summer of Sam?
[Laughs] Spike doesn’t like to
discuss those things. I think Spike would probably
have a different point of view from mine. Richie was a
guy who was all about experimenting and exploring,
breaking all the things that were imposed on him by society.
Spike didn’t particularly have a ton of
direction with that, but I think Richie’s
homosexual encounters were purely based on monetary gain. He
was selling himself. The character was based on a
person that I knew, but I don’t think that he
was really attracted to men; he was basically just willing
to do whatever was necessary.
Did you go to any seedy gay clubs to prepare for
the role?
I did hang out in that world. But, I mean,
I’ve gone to gay bars before. It’s not
like that’s something I would only enter for a role.
Obviously I’m not there to pick up anybody, but
I’m not afraid to hang out in a predominantly
gay establishment.
At 13, you made your acting debut in the
off-Broadway play Family Pride in the Fifties
as a working-class kid who wants to be a ballet dancer.
Did you think that character was gay?
Oh, good, you did some research! A part of the conflict
there was that the father struggles with his
son’s sensitivity. I was very young, so I guess
I didn’t give it enough thought, but perhaps he was a
gay character as well. We’re racking ’em
up. [Laughs] I once had an opportunity to play a
transvestite who wasn’t gay and was actually somewhat
homophobic. It was a very complex story, but the
script wasn’t quite where I wanted it to be. It
would’ve been challenging, but part of what attracted
me to the material was how difficult it was.
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