First off, I was surprised to learn that you killed famed
acting teacher Lee Strasberg.
Yeah. I was in his class for one day. That night, he
perished. My acting wasn't good back then, so I
know that had something to do with it.
On To Wong Foo you and Patrick Swayze came to
blows on the set--in full drag, no
less--because he didn't like you ad-libbing.
I think we were too Method-schmethod and we
started PMSing. I still got a lot of love for him.
Moulin Rouge is a huge gay favorite too, yet you
write that it's hard for you to watch now.
It's a great movie, but my part was
supposed to be something more. I turned down a lot of
stuff to do it. Now, time has passed and my career
took off anyway, but when you have great opportunities that
you miss, you feel like it's over.
You also write that when you were starting out in the
comedy scene in New York, a lot of your colleagues
were lesbian.
Yes, and they were awesome--political,
brave, and naked a lot. There was no labeling, no
judgment. You could be anything--poetic or comic or
political or angry. Whatever it was, you just had to own
yourself.
What would you like to do professionally that you
haven't done yet?
My dream is to do what I do on Broadway with movies. To
write my own movie that's
deep--hopefully--and funny. To be a Latin
Cassavetes or Latin Woody Allen.